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MEMORIE VIVENTI

By Project, Uncategorized

In the winter of 2019 I was commissioned by the I.C.C.D to create an herbarium, even if “alberarium” define it better. The title is : Memorie Viventi alberario della grande Guerra (Leaving Memories Treearium of the Grate War)
This book finds it place in a wider project about the first World War and the Remembrance parks of Italy. The Remembrance parks where created after the grate war as “living cemetery” each tree planted was a dead soldier. Trees feed human memory with their own life-cycle, creating a continuity between life and death.
Basically I integrated scientific illustrations and captions with some sort of photographic album, invading the surface of the photos with my painting, creating an analogic dialogue between plants and photos (living memories) insisting on the similarities between trees and the portrayed subjects.
All the trees were chosen by a botanist for the institute, I selected the photos from the I.C.C.D vast archive. I than printed the digital files on to some old paper found in an abandoned typography and glued them on a painted support prepared for this. All the illustrations are realized with acrylic paint, the black background evoke the funerary theme and enhance the light of the living focusing the attention on the subjects.

PERIGUEUX

By Graffito, Uncategorized

Since 1983 in the summer, the city of Perigueux (FR) hosts the mime-festival: MIMOS, the theatre company SPINA was invited there to perform it’s paly Mio. This play tells the story of a painting bear that will be helped by a group of kids to escape from a ranger and will show them how painting on walls can became magic. SPINA company invited me to be the painting bear. While there I painted a bear dream on the walls of a retirement-house where part of the show was played.

SOMAGLIA

By Graffito, Uncategorized

Spring 2021, after a really strange year, out again painting in Somaglia (LO) in a really ambitious project named Parklife all set in to a logistic park, alongside many other great artists organized by master HEMO

STIGLIANO

By Graffito, Uncategorized

During autumn 2019 in Stigliano (MT) I participated to the AppARTengo festival.
The work I realized is called The Night Eaters. Dominated by the red Kite (Milvus milvus) the skies of Stigliano where really windy and cold, it took a little longer than usual but in the end everything was done, also thanks to the great company of the organizers, photographers and friends of the festival.

VOLOS

By Graffito, Uncategorized

In the summer of 2019 I went to the “CityCall” festival, organized by UrbanAct in the city of Volos in Greece. The myth says that from Volos Jason and the Argonauts left to look for the Golden Fleece in Colchis. Instead on this school’s wall I painted in the attic red-figure style the myth of the origin of the Horse of the vase, a lost story of storms, deceit and courage, where a horse become his own myth.

HARLAN

By Graffito, Uncategorized

Harlan, Kentucky (USA) summer 2019, to held a workshop organized by the Kentucky University and curated by my dear friends Carrie Billet and Robert Gipe.
After the classes I made the acquaintance of a really particular and endangered animal, a kind of giant salamander that leaves in the fresh waters of this part of the Appalachian region called the Hellbender (Cryptobranchus alleganiensis). I decided to dedicate my wall to her…

SELEZIONE NATURALE

By Project, Uncategorized

SELEZIONE NATURALE (Natural selection) it’s my first anthology book.
Published by Zooo print and press in 2019.
Enveloped in a double face poster, in the 150 pages of the book there’s a selection of the best works of the last 10 years: murals, paintings, watercolours, drawings, etchings, beasts and adventures.
In May the book was premiered in Bologna with an exhibition hosted at Squadro stamperia, where they realized a series of 3 screen-prints for the occasion.
Selezione naturale is now sold out!

THE IMAGE HUNTER – EXHIBITION PT.1

By Project, Uncategorized

Hitnes’s The Image Hunter project culminated with an exhibition at the Halsey Institute of Contemporary arts at the College of Charleston in the fall of 2018.
The realization of the whole exhibition took me 6 months during a residency in Charleston South Carolina, between 2017 and 2018.
I was able to retrace the steps of my voyage done in 2015 and focus on John James Audubon’s connections with the wild and the birds, creating my own connections and allowing this research to form my creative practice.
The exhibition consists of 15 shadow-boxes, 53 etchings and drawings, 2 hand-made books 5 artist sketch books, objects and ephemera collected along the 2015 journey.

After Charleston the Exhibition travelled to other locations:
Lake Charles Historic City Hall Arts & Cultural Center, Lake Charles, LA. February 22 – April 27, 2019
Provo City Library at Academy Square, Provo City, UT. October 4 – November 27, 2019
High Desert Museum, Bend, OR. October 17, 2020 – February 21, 2021
Costal Discovery Museum, Hilton heads, SC. April – June 2022

This part of the exhibition focus on the deep aesthetic bound between observing and painting.
The subjects of the 15 shadow-boxes are the birds painted in the murals of the journey in 2015 and the locations and the emotions inspired by the ”hunt” of this birds.
In every piece the techniques used by the artist are many but mainly watercolours and acrylics.
The layers of paper are the core of the boxes, first painted and than patiently cut, the different type of sheets are kept together and layered by gator-foam and restauration glue.
The distance between the layers enhance the perception of the painting, and drives the eyes of the viewer in some kind of set design created to observe the “soul” of the birds.
Pieces of natural materials taken during the voyage were cleaned and placed in each box showing the real connection between the location and the observation of the birds, transforming this pieces in to some kind of diorama of my adventures.
Each wooden box has been hand painted whit acrylic and sealed behind poly.

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